![]() ![]() “That’s a whole other level of complexity,” Debevec explains. Talks Seeing His "Beautiful" Younger Self Onscreen 'Captain America: Civil War': Robert Downey Jr. Weta Digital undertook the task of completing Paul Walker’s performance in 2015’s Furious 7 after his unexpected death. Those tend to be created for safety reasons, where a stunt would be either dangerous or simply impossible or in the delicate situation of the death of an actor. ![]() VFX techniques can also be used to create everything up to a full digital double of an actor. It’s not just about freshening up a face either. So they are going to have more trouble on the talk shows and on the red carpet, until those too can be touched up in real time with a yet-to-be invented technology.” “Of course one of the worries is that actors are going to have this Dorian Gray problem because the image that we have of them in the films is going to diverge further and further from the way that they look in real life. “It’s much more common than anyone realizes this is the extension of what’s done for magazine covers,” says research professor Paul Debevec, who leads the Graphics Lab at the University of Southern California’s Institute for Creative Technologies.Īs digital technology has become more affordable, “if it’s a major actor, you can do that for every frame of a film,” adds Debevec, who also co-chairs the Academy of Motion Picture Arts and Sciences’ SciTech Council. “There are certain stars that you are not allowed to talk about when that type of work is done - maybe slimming a little bit or cleaning up some imperfections.” “The not-so-obvious examples are probably under confidentiality,” says Barba. There’s also what’s called “beauty” work - in effect, providing actors with digital facelifts - a practice many in Hollywood would prefer to keep secret. It allow actors to play earlier versions of themselves,” says Eric Barba, who was at Digital Domain when he served as the Oscar-winning VFX supervisor of Benjamin Button and who currently works at Industrial Light & Magic in Vancouver.īut such digital work isn’t being used only to allow an actor to play a character decades young than himself. Says Claus: “The shot was nearly 4,000 frames long, with Tony Stark turning from one side to the other multiple times, physically interacting with other actors, and the set itself, and moving closer to the camera for a very long, uninterrupted close-up.”Ĭlaus and other VFX pros are increasingly being asked to employ such digital tricks. “ Creatives are finding more and more uses for it. ![]() The particular shot was also challenging because of its length and because it involved a close-up. Downey at the approximate age that we wanted to target, which was around the time of the film Less Than Zero. “In this case, we analyzed footage of Mr. “Additionally, when working with the appearance of a well-known actor such as Robert Downey Jr., there is the added pressure of living up to the youthful appearance that audiences remember,” he says. De-aging a character by a span of 25-30 years can affect skin texture and complexion and can involve characteristics such as bone structure or posture, Claus explains. ![]()
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